I love to make quilts. Large and small; for beds and walls. I especially like bright colors and geometrics. Please look through my showcase. Tell me what you think: you can leave a comment below a particular quilt, send an email (wsrhodes@gmail.com),and/or sign my Guestbook (on the right side as you scroll down). Some are for sale; click on "Needs A Loving Home" to see these. And if you are interested in having a quilt made for you, drop me a line and we'll see what we can work out.
Monday, November 22, 2010
Remembering Ken
Ken’s main passion was movies. He had a large collection of vintage films, projectors, posters, and other paraphernalia. Related to Ken’s love of movies (especially serials) is the fact that he was also an author: (see "To Be Continued" and "To The Rescue"). Thus, I included a fabric with images from classic horror movies. (This fabric is also the back of the quilt.)
He was also a professor of communications at Iona College in New York. So there are some squares devoted to teaching / school.
At one time, Ken and Max owned and ran Shire Village Camp in the Berkshires of Massachusetts. Hence the camp-related fabric.
Finally, Ken loved music, and, of course, his taste was eclectic. He loved classic music from the 30s and 40s, but he also liked the rock-n-roll of the 60s and 70s. Every Sunday he listened to Jonathan Schwartz on public radio. So I included the fabric with the musical notes.
All of these theme fabrics are surrounded by squares cut from Ken’s ties.
With this quilt as a symbol, we will always remember Ken.
Wednesday, October 20, 2010
Shana's Choice
The pattern is loosely based on one from the book "City Quilts" by Cherri House.
Though the quilt is relatively small (about 38" x 26"), it is made up of 20 different fabrics. And no matter how closely you look, you won't see any quilting. Why? There are 7 rows, each comprised of a number of "block" units. Each row was then sewed to the previous row directly onto the batting/backing in the "quilt as you go" fashion (the same as I used for the small handbags I made a few years ago). Thus, no visible quilting on the front and only 7 straight lines on the back!
As Shana and I were designing it, we tried to come up with an appropriate name. Alas! We were unable find one worthy enough. So, once again, I am opening up naming rights to everyone. Please submit your choice either by commenting directly on the blog or by emailing me. Shana will have the honor of picking the winning name from all of the entries. The winner's name will be posted and he/she will receive a morsbag in the color of their choice.
Update: There were 17 entries in the "Name the Quilt" contest. As you can see, Shana chose "Shana's Choice", which indeed it was! The winning entry was submitted by Pauline (who knows a thing or two about quilts!). Thanks to all who submitted.
Friday, September 24, 2010
This Makes Me Happy!
I did minimal shadow quilting using a clear monofilament thread. That way the quilt stitches are nearly invisible, letting all of the bright colors show through.
And the name of the quilt? It is Pauline's suggestion. Perfect, no?
Click to see other views.
Tuesday, August 24, 2010
Two Alef-Bet Quilts
One was the first child of our religious school director and his rabbi wife.
The other was the fifth child of the daughter of friends of ours. The daughter and her family live in Israel.
When I offered to make a quilt for each family, both suggested a Jewish theme. So I began looking for suitable patterns.
Then I found this Hebrew alphabet (or, more correctly, alef-bet) pattern.
I don't normally like to make the same quilt twice, but this opportunity was too good to pass up.
I used the same fabrics in both, but slightly changed which colors went with which letters. Each block is paper-pieced.
Remember that Hebrew is read from right to left, so the letters are: alef, bet, gimel, hei, vav, zayin, chet, tet, yud, kaf, lamed, mem, nun, samech, ayin, peh, tzaddi, kuf, resh, shin, and tav. There are also 5 "final consonants" (versions of other letters) in the alef-bet. These were not included. Nor were the vowel symbols, which go below the letters.
There are two other symbols (in the bottom row). The one on the right is the Star of David (or Jewish Star). In Hebrew it is called the Magen David which means "shield of David". There are many ideas about the symbolic meaning of the Star of David. Some Kabbalists thought that the six points represented God's absolute rule over the universe in all six directions: north, south, east, west, up and down. They also believed that the triangles represented humanity’s dual nature – good and evil – and that the star could be used as protection against evil spirits.
The structure of the star, with two overlapping triangles, has also been thought to represent the relationship between God and the Jewish people. The star that points up symbolizes God and the star that points down represents us here on earth. Yet others have noticed that there are twelve sides on the triangle, perhaps representing the Twelve Tribes.
The other symbol is the hamesh (meaning "hand" in Hebrew; also hamsa in Arabic). It is an old and still popular amulet for magical protection from the envious or evil eye. The words hamsa and hamesh mean "five" and refer to the digits on the hand. An alternative Islamic name for this charm is the Hand of Fatima, in reference to the daughter of Mohammed. An alternative Jewish name for it is the Hand of Miriam, in reference to the sister of Moses and Aaron.
Tuesday, July 20, 2010
Batik Coins
Friday, July 9, 2010
Sweetie Pie
Wednesday, April 28, 2010
Flight of Fancy
First, by fussy cutting and arranging the theme fabric (bird / flowers / Japanese-style motifs), it is almost a realistic landscape scene. My work is usually much more geometric.
Second, it is done using a combination of piecing styles: It is a 9-patch, but also includes both big and small solid patches of the theme fabric. Usually, a quilt is made using just one type of piecing technique.
Third, in order to smoothly incorporate the 9-patch squares into the theme fabric, I used the watercolor approach. That is, adjoining squares and patches blend together to appear as a smooth transition.
Finally, it is quilted using several different design elements (what was I thinking!). The orange setting points were shadow quilted. The large and small bird squares were free-form quilted with arcs to represent the shape of the birds' wings, the clouds, and also to reflect the curved motifs. The 9-patches and adjoing squares were ditch quilted, but only in parallel lines from bottom right to upper left to help reinforce the flight path of the birds.
One other note (which you quilters will certainly appreciate): When I took the pattern (from 9-Patch Pizzazz by Judy Sisneros) into the quilt store to buy fabric, we pulled an interesting bolt off the shelf and started building around it. After a few minutes we realized that it was the same fabric that was used in the pattern! Believe me, this never happens in real life!!!!
For sale: 38" x 47" wall hanging $150
Sunday, March 14, 2010
Point, Counterpoint
This is a work I designed based on the painting, below, by Geraldo de Barros. The original (an enamel, 23.5" x 23.5", 1952) is in black, white, and light blue. The hues and shapes do indeed appear to show movement, or, at least, tension.
I did my version (29" x 29") in the primary (rainbow) colors. It does not have the same sense of movement as the original, but I believe that the bright colors and interplay of the shapes against the stark black background do have an interesting vibrancy.
Monday, March 1, 2010
Puzzled?
Normally in a jigsaw puzzle, the pieces all fit together such that you see the finished picture but don't see the tabs and slots. In this "puzzle", the opposite is true. Hence the title. This piece will be donated to the United Way of Lake County for their annual fundraising auction.
The back is a piece of fabric that has been in my stash for over 10 years! Never could find the right piece for it...until now.
Saturday, February 20, 2010
DOUBLE VISION
And....if you want the to hear the song by Foreigner,
click here.
Monday, February 1, 2010
3D Tucks #1
After all of the strips and tucks have been sewn, the tucks are ironed against the seam line so that they pop out of the quilt body. A line of decorative stitching is added to hold them in place.
Looking at the quilt from either side gives different perspectives as the tucks and colors shift across the surface.
Friday, January 8, 2010
Diamonds Are Forever
This quilt also will be used as the pattern for my "Advanced Beginner" class in May!